a novel by JOHN GRABOWSKI

Posts tagged “fiction

Replay Guest post: From the Front Porch – Interview with John Grabowski

John GrabowskiThis week’s guest for From the Front Porch: Creativity Interviews is John Grabowski. John has been following my blog since the early years (I started it in 2008!), and has been a frequent commenter. We developed an email friendship as he worked on his forthcoming novel, Entertaining Welsey Shaw. On his blog he has some really interesting things to say about the phenomenon of celebrity culture, which he addresses in his novel. John is one of the smartest and well-read people I know. Please welcome him to our Creativity Interviews.

Tell us a little about yourself. Perhaps what do you do for a living and where you live?

I live in Northern California and I’ve been a copywriter, a newswriter, and a novel writer. Right now I’m on the Marketing and Development Committees of the Peninsula Symphony as we are working to attract a broader and more affluent audience to this truly excellent orchestra.

When are you the most creative? (Who are you with? Where are you? What are you doing?)

I’m a night owl. That’s when I generally get most of my ideas and do my best writing. Doesn’t matter where, really, as long as I can get my fingers to a keyboard. I tend to like the “white noise” of coffee shops, however.

When are you the least creative? (Who are you with? Where are you? What are you doing?)

Mornings. I am not a morning person and never have been. Doesn’t matter how much sleep I get or when I go to bed.

What inspires you and why does it inspire you?

Other great art. Great ideas, different ways of looking at common things.

I don’t write fantasy or escapism. Everything I write is deeply-rooted in reality—often the most mundane reality that most people don’t pay attention to. So when someone can see that reality in a fresh and new way, I am inspired and want to do the same.

Share a favorite quote:

The great man is he who in the midst of the crowd keeps with perfect sweetness the independence of solitude. —Emerson

 What creative project are you working on now or do you hope to work on?

Getting dressed. Seriously, it’s 11am and I haven’t gotten away from the computer yet today.

 Share a photo of something you find beautiful:

My wifeJohn Grabowski's wife

Name one of more of your favorite books. What do you love about them? If they changed your life in any way tell us why.

Of course knowing me as you do you’d expect to see a title by Deborah Eisenberg here. But she writes short stories, though they’ve been collected into books, so we can just assume at least one of these would be one of her titles, probably one of her last two, All Around Atlantis or Twilight of the Superheroes. I think she is the most important fiction writer working today because she is doing things no one else is but at the same time she’s doing it with a vocabulary that wouldn’t stump a high school student and she has probed the fringes of consciousness without resorting to any trendy new writing styles. She shows that direct simplicity can also be complex.

I also enjoy many of Alice Munro’s stories, though I do think Eisenberg should have won the Nobel for her greater breadth and insight. And you, Susan Gabriel, have turned me on to Francine Prose!

Netherland by Joseph O’Neill is probably the best novel I’ve read that’s been written in the last ten years. I also enjoyed his follow-up The Dog, though the critics were pretty luke-warm on that one, for some reason

To The Lighthouse just blew my mind the first time I read it in the way it dealt with the most ordinary events with tremendous depth.

Richard Ford’s Bascombe Trilogy impressed me in similar ways. Or the first two novels did. I thought the third sputtered. There’s now a fourth Frank Bascombe book but I’m not sure if I’m going to read it. I think I’m sort of done with Frank.

Richard Yates’ Revolutionary Road is an understated tour-de-force. And I love Milan Kundera, especially The Unbearable Lightness of Being, and José Saramago, especially The Year of the Death of Ricardo Reis.

Name one or more of your favorite films and tell us what you love about it/them.

In literature I am drawn to realism—you might almost say mundane realism. Robert Altman’s films, or many of them, are of a similar nature. So are Ernst Lubitsch if you want to go really far back, especially the pre-Code ones.

Yet I also love the outsized aspects of Fellini, and 8 ½ and La Dolce Vita are two of my favorite films. They use fantasy to make a bigger point about realism.

So fantasy at the service of realism is fine. Fantasy for fantasy’s sake not so much, even if there’s a “moral” to the story. It’s usually a very simple moral.

Name one or more of your favorite pieces of art (painting, sculpture) and tell us what you love about it/them.

The Milk Maid by Vermeer, though to understand why you’d have to see it in person. The best prints don’t capture the impact. That’s true of any Vermeer.

Rembrandt’s self-portraits, especially the late ones. Same story. They seem to have a history that began before you entered the room to look at them and continue after you leave.

What were you like as a child?

God knows.

Tell us about something you’re proud of having created, participated in, etc. (not your offspring, please! 😉

This is going to seem ridiculously esoteric, but I intuitively figured out the “Circle of Fifths” in music without ever having it explained to me. I also distrusted a scholarly discovery that claimed a section of Beethoven’s music had been edited incorrectly all these years and had to be revised. Turns out I was right—the copyist made the “corrections” and Beethoven considered them wrong—they are!—and put back his original. But for several years some Beethoven scholars thought the “wrong” way was right and it was even recorded this way. I was never fooled, because that’s not how Beethoven thinks; it has nothing to do with taste.

What are you grateful for? (Today or in general.)

My health. A number of friends have had brushes with cancer or other disease and I have nothing to complain about. I am in good shape overall.

From JL’s Uncle Jessie Meme:

A song/band/type of music you’d risk wreck & injury to turn off when it comes on the radio?  

Hip hop. But really most pop.

A favorite show on television?    

Don’t really have one.

If you could have anything put on a t-shirt what would it be?

The formula for the Unified Field Theory. I’d then win a Nobel in physics and be famous.

A favorite meal?

Sushi.

A talent you wish you had? 

Concert pianist.

What’s on your nightstand? 

Isn’t this a family blog?

What’s something about you that would surprise us?

Same answer.

Check out John’s blog here.

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Please take a moment to let John know what you appreciated about this interview. Be sure and check out the link to his blog, too. If you’re feeling too shy to comment, consider sharing this post with your friends on your favorite social media platform. Thanks! xo

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P.S. A quick note about the title of this series, From the Front Porch:

Here in the South, we love our front porches. They are where we get to know our neighbors and take a load off with our friends. Ideally, I would invite John here to my house, we’d sit with a glass of iced tea, and I’d interview him while a cool breeze moved through the oaks, accompanied by the sound of two rocking chairs squeaking on the floorboards. Instead, I’ll ask you to use your imaginations. I hope you enjoy the breeze!

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Susan Gabriel is the acclaimed southern author of The Secret Sense of Wildflower (named a Best Book of 2012 by Kirkus Reviews) and other southern novels, including Temple Secrets, Grace, Grits and Ghosts: Southern Short Stories and others. She lives in the mountains of North Carolina.


“One minute she’s surrounded by friends, the next she’s all on her own jetting across the world!”

gty_cara_delevingne_jc_160805_12x5_1600

I thought I was reading an interview with Welsey Shaw.

But I wasn’t. She’s Cara Delevingne, and I’m amazed I’d never heard of her before.

She’s a fashion model, and she belies all the stereotypes about such models: she’s smart, funny, curious, and a terribly articulate and searching.

And one of the things she keeps articulating is how lonely her life is, and that being famous and in the spotlight constantly doesn’t make you less alone. Just the opposite, in fact. Ms. Delevingne often says she feels terribly alone.

Like Welsey she’s had some explosive outbursts. Welsey goes off on everyone inside a Manhattan Starbucks. For Ms. Delevingne, a security search at a train station in Paris caused her to erupt and call the agents names. After being detained an hour she apologized, and was sent on her way.

No explanation why she went off. But people like her are under lots of pressure (not that that’s an excuse, but…) and often it’s the small things that do it, something Daniel Ferreira learns when he gets deeper and deeper into Welsey’s life. A casual brush could bruise a career, a slip on a late night talk show could end it. Friends become foes in the blink of an eye, people use you for who you are, and if you fail to please them you are labeled a “biiytch.” And through all this, you’re supposed to always, unfailingly smile.

Delevingne’s said she battled with depression during her school years but managed to turn her life around with the help of writing and yoga. But it hasn’t worked as well as she’d hoped, apparently. After a devastating breakup recently, she has told her family that she might end up walking away from fame. And friends say she is now depressed worse than they have ever seen before. As her mother observed, “One minute she’s surrounded by friends, the next she’s all on her own jetting across the world!”

I confess I once considered an ending for Entertaining Welsey Shaw where Welsey, miserable in her alone-ness, took her life. Just writing left an incredibly bad taste in my mouth. But a number of celebrities in the spotlight—particularly, for some reason, young women—have made this decision. I truly hope Ms. Delevingne finds her way out of her darkness, and rediscovers happiness soon. Perhaps a break from fame might have a therapeutic affect. It does for Welsey, in the ending I finally opted for for the novel.

 


She’s good for it, certainly…

Adele

Seems that even superstars get their credit cards declined.

Pop singer Adele was shopping in San Jose, California the other day when an H&M store would not accept her credit card.

How embarrassing!

But in a way it wasn’t. Reports are that nobody even recognized that it was the pop singer proffering the plastic.

Somehow a celebrity who attracts thousands of screaming fans in concerts and millions of them at home can shop in San Jose and not even be noticed.

Yes, it happens all the time. You could bump elbows with celebrities anywhere and not know it. They are the masters of disguises. After all, they have to get out and about just like the rest of us, and while some of them have “people” who go about their chores for them…well, everybody likes to go into the world and do some shopping themselves sometime.

And that’s exactly what they know how to do…and do in such a way that you won’t even notice.

The takeaway from it to me is how celebrities are, at heart, just people like anyone else. But if you put an ordinary person up on stage in fancy clothes, people don’t get all excited. Why is that? And is it possible to do so?

On second thought, that may be what reality shows have been trying to do…with mixed success.

It’s also interesting that many can avoid the paparazzi even when they pretend they’re being bombarded. True Adele, for as recognized as she is, isn’t, say, in the same league as Jennifer Aniston. But she is certainly a big deal, yet she slipped out of fame’s spotlight surprisingly easily. Makes you wonder if all those “famous people” getting nailed by TMZ every night don’t, well, maybe have their publicists call the photog to tell them their client will be in a certain place at a certain time.

Adele says that although no one knew who she was, she was nonetheless “mortified.”

And she adds that she’d been able to use the card at other stores that day, implying it was all H&M’s fault, a software glitch or something.

But people were surely standing around her in line as this happened—and never knew it was she.

The opening scene in Entertaining Welsey Shaw is like this, with Welsey in line with civilians in a Manhattan Starbucks. I wondered as I wrote it how believable it was that no one else would recognize her, even though she’s hidden behind sunglasses and drab clothes.

Since then I’ve learned it happens every day. Nicole Kidman and Keith Urban once came into the coffee shop where I have written much of Entertaining Welsey Shaw. Ironically, that was one of the rare days I wasn’t there. I had to hear about it second-hand from staff. (And all the while I was home I kept thinking, I should head over today; I feel like I’m missing something.)

Back to Adele—maybe try your AmEx at Nordie’s?

They tend to have nicer stuff anyway.

 


Jennifer Aniston, moved to tears, still insecure after all these years

Jennifer Aniston gets emotionalJennifer Aniston again.

It may seem hard to believe that people who always appear to be confident are as doubt-filled as the rest of us. Here is Jennifer Aniston responding with surprising candor to a question asked at a film festival in Italy. She was asked by a young girl if she ever woke up in the morning not knowing who she was. You’d think at this stage in her career, her life, such feelings would be far behind her. But not only are they not, but the very question caused the normally guarded Aniston to tear up.

“We’re all human beings at the end of the day, whether we’re a waitress or a baker or a student or whatever we are; at the end of the day, you kind of hit walls and think, I kind of can’t go any farther. Or this is too much. My heart can’t take it or the pain is too great, or am I good enough?”

She says “there are not enough fingers and toes” in the entire room for her to count how many times that has happened to her.

This in a nutshell is what Entertaining Welsey Shaw is about. Everyone thinks they “know” celebrities because they see them in wildly fantastic situations, being treated like royalty, being touted as living lives no one lives.

Of course there’s money and privilege, but one can have that and still be unhappy. But that aside, it’s clear these things don’t make insecurity disappear. Or unhappiness. Welsey tells Daniel near the end of the novel that she spends most of her nights “in here” (her apartment) alone, with the TV for company. Even if your TV is bigger and your apartment nicer, it can be a lonely life. But no one understands. Which only makes it lonelier. So you’re isolated by the very nature of your loneliness, despite the fact that it’s the same feeling anybody else has. Nah, couldn’t be the same.

Which makes it more astonishing that this girl’s simple question made Jennifer shed tears, and blot her eyes with a tissue. I’m trying to remember the last time I’ve seen a celebrity so unguarded in public and failing. And it happened with a celebrity who’s famous for her detached demeanor, her control, her desire to project herself with every hair in place.

“Am I good enough?” It was impressive that she admitted—to the world: to casting agents and fellow actors and the likes of TMZ—that she’s not secure.

 

 


Kylie Jenner is faking it for you

Kylie Jenner avoiding the paps

Kylie Jenner has a confession: “People think that since we have a reality TV show and I show so much of my life that they know who I am. But on Snapchat I show people what I think they want to see.”

Okay I’m actually writing about a Jenner/Kardashian. Time to start looking for that Fourth Horseman.

But seriously, I thought what she had to say in the recent issue of Allure magazine (my bible, in case you’re wondering) was very relevant to all celebrities, not just those we’re sick of.

Jenner says—surprise, surprise—most of her glamorous life is made up, and that the image she puts forth on all the social media sites is “a projected image. A brand.”

She explains why: “I usually don’t show my true personality to the world, because when you open yourself up so much, there’s more room for people to say things about you.”

Welsey Shaw could relate. The notoriously reclusive star of my novel avoids letting people into her life because for the famous, privacy is the one thing they cannot buy, and at the same time the most valuable commodity.

Some celebs build up a phony social media presence, like the Jenners and Kardashians. Some avoid it all together, like Claire Danes and Jennifer Lawrence. “We work so hard to maintain some sort of life and privacy, why would we intentionally put ourselves out there?” says another Jennifer—Aniston this time.

Back to Kylie.”I can’t remember what it’s like not to be famous. So I’m able to appreciate what true happiness is all about,” she insists. That quote could have come from Welsey Shaw. In another interview, from February, she says she’d like to move out of the spotlight, as Jessica Alba, Gwyneth Paltrow and so many others have. “I want to be a businesswoman,” she says in another recent interview, “and be behind the scenes. Kylie Jenner needs to retire.”

Jenners

“People think that because we have a reality TV show that they know everything, but it’s like, I’m not filming right now. That’s maybe 5 percent out of my day.”

This last quote made me think of two movies, one recent and well-known, the other older and obscure. The well-known one is The Truman Show, which had the character Truman Burbank living in a round-the-clock reality show that he thought was his real life. The movie came out just before the deluge of TV shows depicting unscripted people began to appear, and remains astonishingly prescient.

The other, older movie is called Real Life, and it was made by Albert Brooks in 1979. Like most of Brooks’ work, it has slid into obscurity, which is too bad, because it’s brilliant.

The movie is about a TV filmmaker who wants to film a Phoenix family in their everyday life. But he soon discovers that this is pretty dull, so he starts tampering with reality. This raised a question back in 1979 that people in more modern times seem to have forgotten or not realized: how do you portray your intimate “reality,” whatever that is, with a camera operator inches from your nose? The mere presence of a film crew alters how you act, what you do, whether you realize it or not. And there’s no doubt reality shows are heavily tampered with—ever notice how every episode of Masterchef or Undercover Boss follows pretty much the same structure? Brooks knew back in the 1970s that when a camera intrudes, “reality” goes out the window, and we start posing, no matter how much we might think we’re being “natural.”

And eventually it must get wearying. I really, truly believe Kylie Jenner when she says she’s sick of this facade, and wants to chuck it. But so many are drawn to it because it empowers while not really requiring any particular talents. It’s the classic Faustian bargain—give me your soul and I’ll give you whatever “riches” you want. But after a while, many  decide they want to take those souls back. After all, there’s always a fresh supply.